2017 淡江大學
濾室間景
2017 淡江大學建築系畢業設計指導學生：羅廣駿 「濾室間景」，獲得IEAGD建築系畢業設計國際特展大評圖與展覽
這個設計以熱地景為策略，透過一系列可識別性與環境觸發引導的設計，研究如何讓人體會屬於礁溪的場所精神與氛圍，反轉目前因同質性高而沒有識別性的開發，所產生的人們不知道，不在乎，以人粗暴控制自然資源的城市架構。
因此不同於一般都市更新，礁溪需要的是重新測量並瞭解地底，一種人、建築、自然、與地熱關係的重構。換言之，挖掘城市圖層(Layer)的縱深，重新建構曾經存在的、被遺忘的空間感知與場所特性，以延續人們對於地景空間的記憶想像和經驗。
在這裡，介入於地表下的空間除了居住，更是溫度的觀測室，房間與房間的間隙因爲牆厚與材料的不同，加上溫度的變化成爲兩者共享風景的藝廊。在建築與自然的創作中，材料是建築的底蘊，溫度是建築的顏料，開口是最佳的筆觸。
就如同"The Agency of Mapping"中提到的場域(Field),提取物(Extracts)與繪製(Plottings),這個作品以礁溪的地景為場域,藉由溫度地景Project到地面的Palette為提取物,藉由建築空間與program的再介入重新描繪礁溪的地景,希望透過微小的熱地景的觀察,找尋屬於礁溪的場所特性,
UNDERGROUND RENEWAL
Randy Lo
The industries turned the coal mines, which are not exist on earth's surface originally, up to the ground. While coal mine itself is a kind of natural substance, at the moment it fell on the soil, the initial natural landscape transformed into a man-made landscape. Throught the catalytic carried by climate change and time, the original piled up coal mines changed into fragments and been mixed with vegetation covers. So, what nature truly is? How lightly it should be when artificial movements interfere with nature, or even how heavily. Both the present and the past is a sequence of waiting, in the past were mainly operated by machine, while now is waiting for a series of natural changes. This monument is waiting for daily movements to trigger it unconsciously. In every different cycles, every waiting for resuscitation made it comes alive every single time.
羅廣駿
