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2017          淡江大學

寧靜的五百公尺

__ 用聲音測量一段船難的距離

2017 淡江大學建築系畢業設計指導學生:楊惠宜 「寧靜的五百公尺」,獲得IEAGD建築系畢業設計國際特展大評圖與展覽

聲音是有距離的,就如同在水聲裡,我們感受到與外界的遙遠,我們透過實質的聲音與非實質的聲音,像是一段故事、回憶去感受空間(物件)的距離。

旗津中洲與高雄大島之間擁有五百公尺水的距離,也是中洲人平日的往返,他們透過中洲渡輪站前往高雄工作,卻因為「高中六號船難事件」這個發生在1973年9月3日早上的故事,讓從中洲前往前鎮加工出口區的25位女工,在渡輪站的對岸五百公尺喪命,透過聲音,感受到與平日不同的距離。因為高雄港未來亞洲新灣區的開發,再加上她們的性別,使她們的墓地,從原本的渡輪站附近隨著高雄港的開發而四處遷移, 這個事件的聲音漸漸隨時間消失。

這個設計嘗試一種新的空間混合類型,將紀念性建築與日常公共性建築結合。以事件發生出發點中洲輪渡站為基地,結合鄰近的中洲港務機動警察局,重新思考面對著大港進行每天的交通以及巡視的工作,從一個小點到一片大海的過程,我將這段距離加入紀念船難的元素「獨、沉、漂、凝」,讓人透過這四種不同的聲音感知片段:個人的聲音空間、逐漸沈入水中又在浮起的聲音變化、與凝視的聲音距離,讓人在渡海前的「一小時」裡,在警察局與渡輪站之間,在等待裡慢慢的聽見,紀念這段船難的「五百公尺」與這段故事。

Quiet 500m                               __Measuring a distance of shipwreck with sound

Yang,Hui Yi

In this project, I explored the relationship between spatial quality and acoustic effect from a narrative view of point. There are two phases in this project. The first one is the transformation of spatial form from a series of incidents happened in a shipwreck in 1973, and the second one focuses on the application of different materials related to acoustic effect which arise people’s senses.

In the first part, I have developed some spatial forms based on the scenarios in the historical documents. My goal is to find a way to deliver the specific feelings happened in the shipwreck through establishing the relationship between space, objects, and people’s behavior. The customized details represent the history, and they can remind people of the process of the shipwreck. 

In the next part, I applied acoustic effect into the memorial hidden in an original context with different materials. Apart from the spatial form experimentation, I create unique ambience with sound. Visitors in the space become involved in the transformed stories and specific programs that occurred at the site through the sound.

Ultimately, the elements of the shipwreck are being transformed into architectural spaces. The architecture become a memorial hidden in their daily lives.
 

楊惠宜